Dani Marti

Born 1963 Barcelona, Spain. Lives and works Sydney, Australia and Glasgow, Scotland

Dani Marti works across video and installation. Each work constitutes an intimate portrait of an encounter, challenging conventions around portraiture. His unorthodox woven and filmic works turns to wider notions of portraiture and sexuality in Modernism, Minimalism, and geometric abstraction. Since 1998, Marti has held over 25 solo exhibitions, most recently he exhibited TOUCH: The portraiture of Dani Marti a major solo retrospective atNewcastle Region Art Gallery. Recent group exhibitions include: Let the Healing Begin, Institute of Modern Art, Brisbane (2011); Social Documents: The Ethics of Encounter, Stills Gallery, Edinburgh (2010); Vocal Thoughts, Contemporary Art Center of South Australia, Adelaide, SA, (2010); Cinema X: I like to Watch, Museum of Contemporary Art, Toronto (2010).  He is held in the collections of the Museum of Contemporary Art, Sydney, The University of Queensland Art Museum, Brisbane, Art Bank, Sydney, the Chartwell Collection, City Art Gallery, Auckland, New Zealand, University of Wollongong, New South Wales, National Gallery of Australia, Canberra and the Gallery of Modern Art, Glasgow. He completed significant site specific public works at Westfield Centrepoint 100 Market St, Sydney with John Wardle Architects and has also worked with Lend Lease. The first major monograph of his work was published by Hatje Cantz in 2012. 

Artist's CV

1979    Ramon Gomis, studies in tapestry technique, Barcelona, Spain
1988    MBA, Esade, Barcelona, Spain
1991    Diploma Fine Arts, Julian Ashton Art School, Sydney
1992    Fine Arts Course, Art Students League, New York
2000    Master of Arts, majoring in sculpture and installation, College of Fine Arts, University of New South Wales, Sydney
2006    Master of Fine Arts, Glasgow School of Art

Mariposa (Butterfly), BREENSPACE, Sydney
Against Day, Peleton, Sydney

TOUCH: The portraiture of Dani Marti, Newcastle Region Art Gallery, Newcastle, NSW    
Book of miracles, Arc One Gallery, Melbourne
And that’s it, Paul Greenaway Gallery, Adelaide

Bacon’s Dog, BREENSPACE, Sydney

Insideout, off site venue: 4 Parnie street, GoMA and Glasggay, Glasgow
Time is the fire in which we burn, Arc One Gallery, Melbourne

One breath below consciousness, BREENSPACE, Sydney

Glittering Shadows, The Studio, Glasgay Festival, Glasgow
Closer, Arc One Gallery, Melbourne
Off my noodle, Live Sites, Newcastle Region Art Gallery and Newcastle City Council, NSW

Dark Bones, Citric Gallery, Brescia, Italy
The Seven Pleasures of Snow White, Sherman Galleries, Sydney

There is nothing at the end of the rainbow, Arc One Gallery, Melbourne
Variations in a Serious Black Dress, Viewing Gallery, Sherman Galleries, Sydney
Orifices 2000–2004 and Looking for Felix 2000, Newcastle Region Art Gallery, NSW
Variations in a Serious Black Dress, Canberra Contemporary Art Space, Canberra, travelling to Hazelhurst Regional Gallery, Sydney; Port Macquarie Hastings Regional Gallery, NSW; Bathurst Regional Art Gallery, NSW; Albury Regional Art Gallery, NSW; La Trobe Regional Gallery, VIC; Monash University Art Museum, VIC

Looking for Rover, Sherman Galleries, Sydney
Orifices 2000–04, The Esplanade – Theatres on the Bay, Singapore   

Variations in a Serious Black Dress, Room 35, Gitte Weise Gallery, Sydney
Portrait of a young man returning a ladybird to the grass, Arc One Gallery, Melbourne

Blue angels, Galeria Alejandro Sales, Barcelona
Mother is crying, Briefcase Project and Block, Sydney

You make me feel like love, peace and happiness, Gallery 4A, Sydney
I am forever blowing bubbles, Room 35, Gitte Weise Gallery, Sydney
missing spain, Casula Powerhouse Arts Centre, Sydney
Enhance Systems and Orifices, Span Galleries, Melbourne
Jamón, La Capella, Barcelona

Thin Wall PB-I, Artspace, Sydney
Coco, Rubyayre Gallery, Sydney
Sorry I just dropped my guts, The Lounge, Casula Powerhouse Arts Centre, Liverpool, Australia
Looking for Felix, Firstdraft Gallery, Sydney

WS-S#, Room 35, Gitte Weise Gallery, Sydney

DARK HEART: The 2014 Adelaide Biennial of Australian Art, Art Gallery of South Australia (forthcoming)

Fractures, PINTA, New York, Butterfly Man video program, curated by Octavio Zaya

Weight and Measure with Lee Cavaliere and Andreas Siegfried, satellite exhibition, Frieze London
The 62nd Blake Prize, COFA Galleries, Sydney
The Fleurieu Art Prize, Adelaide
Woolahra Small Sculpture Award, Sydney
VIDEONALE.14, Moscow tour
From Madonna to Madonna, Domus Artium (DA2) Salamanca, Spain, curated by Paco Barragán
MARKED – drawing now, Cessnock Regional Art Gallery
14th VIDEONALE, Kunstmuseum Bonn
ECONOMY, The Centre for Contemporary Art, Glasgow and Stills: Scotland’s Centre for Photography, Edinburgh

Social Documents: The Ethics of Encounter (Part II), Stills Gallery, Edinburgh, UK
Group Show, Breenspace, Sydney
Lets the healing begin, IMA, Institute of Modern Art, Brisbane
INHABIT, Third floor, building 2, 92 White Post Lane, London
Art of the Ordinary,  Arc One Gallery, Melbourne
Espiritu de Epoca, Una Decada de Pintura, MIAC, Lanzarote
Highly Strung, Peter Potter Gallery, Scotland   
Found, Glen Eira City Council Gallery, Melbourne

Rebel of Age, Museum of Moderne Kunst (MMK), Arnhem, The Netherlands 
Social Documents: The Ethics of Encounter, Stills, Edinburgh
CinemaX; what I like to watch, MOCCA Toronto
100 YEARS: Highlights from the University of Queensland Art Collection, UQAM, Brisbane
Vocal Thoughts, CACSA, Contemporary Art Center in SA, Adelaide
Cine the Barrio: La Velada de Santa Lucia, Maracaibo, Venezuela.
Hands On: Craft in Contemporary Art, Hazelhurst Regional Gallery & Arts Centre, Sydney

Non Age, Kunstalle Winterthur, Zurich
Runing Time: artist films in Scotland:1960 to now, Scottish Gallery of Modern Art, Edinburgh
Biennal de Lazarote: Energy, Crisis, Creation, MIAC, Lanzarote, Canary Islands
Où va la vidéo?, Kaunas In Art, Lituania; Tina B festival, Prague; Palazzo Ducale, Genova. A     project curated by Fondazione March
The University of Queensland National Artists’ Self-Portrait Prize 2009, UQAM, Brisbane

New, The University of Queensland Art Museum, Brisbane
50x50, Arc One Gallery, Melbourne
Jam, Peloton, Sydney
IDENTIDADES: Arte y sexos, Sala Astragal, Gijon, Spain
Festival SOS 4.8, Dept. of Culture Region Murcia, Spain
Gifts to the collection, Newcastle Region Art Gallery, Newcastle, Australia
Glasgow International, GI 2008, Glasgow
Australian, Casula Power House, Liverpool, Australia
Plastic Theory, Peloton, Sydney

M.A.S.H Expanded Painting, coinciding with Miami Basel, Miami
Trouble with the weather, UTS Gallery, Sydney
Cornice Art Fair, Venice
He dominates all, Black Box, Puerto Rico
Strange Cargo: Contemporary Art as a State of Encounter, Newcastle Region Art Gallery, Newcastle, New South Wales, touring regional galleries in New South Wales, Victoria and Queensland

Tomorrow Now, Foundation Bevilacqua Lamasa, Venice
The Projection Room, coinciding with the Liverpool Biennale, Liverpool
A man’s world, Museum of Brisbane, Brisbane
Love Video 2006, Gallery Sad- Artunison-, Moscow
VAD Festival Internacional de Vídeo i Arts Digitals, Girona
Iondromo Film Competition, M+B studio, Venice
Goods to Declare: MFA International, Bezalel Art School, Tel Aviv
Celeste Art Prize, Goldsmiths University of London, The Old Truman Brewery, London
Marks and Comments, MFA degree show, Tramway, Glasgow and MoCa, Roskilde, Denmark
Gridlines, Newcastle Region Art Gallery, Newcastle, New South Wales
II Premio Internacional de Pintura de Castellón, Fundacion Astroc, Madrid
SCREAM Sounding Images, in collaboration with Diana Simpson, CalArts, Los Angeles

POST, Residence Gallery, London and Castlefield Gallery, Manchester
II Premio Internacional de Pintura de Castellón, Espai, Castellon
Glad-Wrap-Up, Sherman Galleries, Sydney
VAD Festival Internacional de Vídeo i Arts Digitals, Girona
Academy Now!, sound collaborations with Diana Simpson and Vivian Barty-Taylor, Royal Scottish Academy of Music and Drama, Glasgow
Good and Gruesome, CCA Student Lab Night, CCA, Glasgow
Arafura Craft Exchange, Museum and Art Gallery of the Northern Territory, Darwin
New Town Pasadena, in collaboration with Diana Simpson, Armory Center for the Arts, Pasadena, CA
Nuit Blanche, Paris       

One Of: Festivus 04, Sherman Galleries, Sydney
PistilsI Petals, Fundacio Espais Conteporanis, Girona

Festivus, Sherman Galleries, Sydney
Summer Show, Arc One Gallery, Melbourne
25 years of Mardi Gras, Tin Sheds Gallery, Sydney
Home Sweet Home: Works from the Peter Fay Collection, National Gallery of Australia, Canberra
The Canberra Contemporary Art Space and The Art Store Art Award 2003, CCAS, Canberra

Festivus, Sherman Galleries, Sydney
Summer Show, Arc One Gallery, Melbourne
Opening Show, Arc One Gallery, Melbourne
Ruin, Helen Lempriere National Sculpture Award, Melbourne
Dressing and Dreaming, Sherman Galleries Hargrave, Sydney
Archive of Dud Slides, Briefcase, Sydney

Artful Park 2001, Museum of Contemporary Art, Sydney
1x1, Boutwell Draper Gallery, Sydney
Blue angels, Helen Lempriere National Sculpture Award, Melbourne
Interiors, Object Gallery, Sydney
Plastic by nature, Canberra Contemporary Art Space, Canberra
Ante, Sydney Gay & Lesbian Mardi Gras Festival, Imperial Slacks Gallery, Sydney

Twothousand&99, Exhibition and Performance Space, College of Fine Arts, University of New South Wales, Sydney
Not quite right, Grey Matter Contemporary Art, Sydney
To exist (24), blue funghi, Grey Matter Contemporary Art, Sydney

Three of a Kind, Gallery 19, Sydney

Aula de Lletres, Barcelona, Spain

What is love?, Toast II Gallery, Sydney
Fund-raising exhibition for the AIDS Trust of Australia

MCA, Museum of Contemporary Art, Sydney, Australia
GoMA, Glasgow, Scotland
The University of Queensland Art Museum, Brisbane, Australia
Chartwell Collection, Auckland City Art Gallery, Auckland, New Zealand
University of Wollongong, New South Wales, Australia
Newcastle Regional Art Gallery, New South Wales, Australia
Penny Clive Collection, Detached Gallery, Tasmania, Australia
Art Bank, Sydney, Australia
Wangaratta Art Gallery, Victoria, Australia

2012    Australia Council, Green Street Residency, New York
2011    Creative Scotland, professional development grant
2010    Residency at Stills Gallery, Edinburgh
           New York Studio Residency for 2012, Australia Council for the Arts
2009    Gallery of Modern Art residency in conjunction with Gay Men’s Health, Glasgow
2007    Newcastle Regional Gallery Residency, Newcastle
           Australia Council for the Arts, New Work Grant- Established artist
           Scottish Arts Council, New Work Grant
1999    Australia Council for the Arts, New Work Grant


2010    And that’s it, Stills, Edinburgh
           Fat Faggot, Stills, Edinburgh
2009    The non age, four video portraits, Kunstalle Winterthur, Zurich
           Disclosure, GoMA Glasgow
           Time is the fire in which we burn, GoMA Glasgow
2008    David, Under the Coolabah Tree and El Zorro, Glasgow International, GI08
           Bolted, Casula Power House, Liverpool, Australia

Painting and sculpture
2008    Hilton Hotel, with Woods Bagot, Time is the fire in which we burn, Melbourne
2007    Ed Filipowski-Mark Lee, FLASH, New York
2006    Nunez-Martin Collection, Infanta Margarita (European Monarchs), Canary Islands, Spain
2005    Alexander Tzannes Associates, European Monarchs (Silver and Gold), Sydney
2004    George Freedman & Associates, Philip and Catherine (European Monarchs series), AMP Circular Quay, Sydney
           Burley Katon Holliday Architects, Sydney, The Last Sins of St Francis: Scaring the Flesh (last episode)
           Fast Lane, Sans Torquay, Melbourne
2003    BatesSmart, Different Trains, Melbourne Crown Casino, Melbourne
2001    University of Wollongong, New South Wales, Lorca
2000    Murray Thomas, Architect, OBS 4, Sydney; Ian Halliday, Architect, Linda and WS-S, Sydney; Dale Jones Evans, Architect, Australian Landscape – Yellow
1999    Burley Katon Halliday Architects, OBS 1, Sydney; Dale Jones Evans, Architect, OBS#3, Sydney

Architectural Collaborations
2009    Sydney, Wardle+Hassel, Westfield and URP, Sydney
2006    Under the Crescent Moon, Wardle + Hassel and Lend Lease, Melbourne
2003     Docklands/Mirvac, Melbourne, conceptualisation and design of wind-wall installations, with Dale Jones Evans

2013  Andrew Taylor, 'Blake Prize look at creation beyond basic Christian teachings', Sydney morning Herald, 10 October 2013
Jillian Grant, 'Book Reviews, Dani Marti', Artist Profile, 2013, vol. 22, no 137, 2012  Andrew taylor, 'Making art from the damage done', Sydney Morning Herald, 5 October 2012
Carrie Miller, 'Dani Marti: Mariposa', Art Monthly, no.255, November 2012, pp. 8–9
Una Rey and Faye Neilson, 'Crafting Pathos wth Dani Marti', Art Monthly, no.255, November 2012, pp.5–7
Naomi Gall, 'Dani Marti: Recommended', Art Guide, 28 September 2012
Paco Barragán, 'Heaven and Hell', Contemporary, no.86, 2012
Andrew Frost, 'Grants and Residencies: Dani Marti', Australian Art Collector, no.59, March 2012, pp.108–111
Carrie Miller, 'Against Day', The Art Life, 7 September 2012
Anne-Maree Sargent, 'Physical meets Cerebral', Belle magazine, October – Noveber 2012, p.62
2011  Rosemarie Milson, ‘Knowing the ropes’, Newcastle Herald Weekender magazine, front cover, pp. 8–11, 5 November 2011

Jill Stowell, ‘Colourful characters’, Newcastle Herald, H2, Review,  p. 18 , 1 October 2011
WebArtMagazine.com, ‘INHABIT’, August 2011, UK
Dan Rule, ‘Dani Marti: Book of Miracles’, THE AGE, Life & Style section, p. 5, 30 July 2011
Megan Backhouse, 'Book of Miracles', Art Guide, July/August 2011, p. 31
Kirsten Lloyd, ‘The Ethics of Encounter’ Art Pulse, pp. 26–28, vol. 2, no. 3, 2011, USA
Anne Kirker, ‘Let the healing begin’, ‘Art Monthly’, pp. 43–45,  no. 239, May 2011
Timothy Morrel, ‘Theraphy Session', Australian art Collector, pp. 102–105, Issue 56, April  June 2011
Craig Judd, ‘Bacon’s dog: Dani Marti’s portrait of Peter Fay’ Art & Australia, vol. 48, no.3, pp. 426–29, March 2011
Fearghus Roulston, 'Dani Marti and Public Pillowtalk', Samizdat press, March 9, 2011, Edinburgh
Anthony Gardner, ‘Intimacies in a desert: the videos of Dani Marti’, Atlantica magazine, primavera-verano 2011, issue 50, pp. 98–106, Spain
Dani Marti, ‘Vial Queen’ a project for Atlantica magazine, primavera-verano 2011, issue 50, front cover and pp. 107–15, Spain
Gao Gao, 'Seeing in the Dark: Dani Marti's ‘Variations on a Serious Black Dress', University Paper, March 2011, Scotland
Chris Reid, 'Intimate Warnings', Real time Magazine, February 2011, Australia
Rachael Cloughton, ‘The Ethics of Encounter @Stills' The Skinny', 05 January 2011, Scotland
Paco Barragán, 'Spirit of the epoch, a decade of painting’, exhibition catalogue, MIAC, Lanzarote, February 2011, Spain
2010  Jason Smith, ‘Dani Marti: Finding Peter', exhibition catalogue, BREENSPACE, July 2010, Sydney
Peter McKay, ‘the balance against us’, Vocal Thoughts, exhibition catalogue, Contemporary Arts Centre of South Australia, 10 September – 10 October 2010
Camila Singh,  ‘Cinema x:I like to watch’, review, Art Pulse, USA , April 2010
Stephanie Radok, ‘Raised Voices’, Australian Art Review, no. 24, August – October 2010, p84
2009  Omar Kholeif , 'No social justice for Glasgow's art?', The Guardian, 15 September 2009,  UK
Duncan Macmillan, 'Art review: Dai Nippon/The Tale of Genji', The Scotsman, 15 September 2009, UK
Charlotte Higgins, 'Glasgow's sex and drugs row rumbles on', The Guardian, 23 September 2009, UK
Allan Radcliffe, 'Conversation Piece', The LIst, Scotland, 22 September 2009, UK
Robert Nelson, 'Rumbling, dripping and slipping away', The Age, 30 September 2009, page 20, Australia
Talitha Kotzé, 'Dani Marti: Insideout', The List, 1 October 2009, UK
Lauren Mayberry, 'Sh(OUT) About Censorship', The Skinny, 2 October 2009, UK
Edd McCraken, 'Boycott threat to ‘homophobic’ council in censorship row', Sunday Herald,13 September 2009, p.18, UK
Jennie Kermode, 'Dani Marti talks about film, art and HIV' Eye for Film, website, September 8 2009, UK
Graeme Murray, 'Artist makes abrasive point in city protest', Evening Times, September 4 2009, page 18, UK
Edd McCraken, ‘Artist attacks GoMA for ‘censorship’ of gay life exhibition’ Sunday Herald, 23 August 2009, p.13, UK
Ximena Moreno, 'Dani Marti', Arte al Limite, May-July 2009, issue 36, pp.14-21, pp.118–119, & front cover
Owen Craven, ‘Dani Marti', Artist profile, issue 7, April 2009, pp. 50–53, Australia
2008  Juliana Engberg, ‘On cultural capital’, Art & Australia, vol 46, no.1, spring, 2008, pp. 48–49, Australia
Anthony Gardner, ‘The Gestural Unconscious’, catalogue essay, Breenspace, Sydney, July 2008, Australia
Maite Centol, ‘arte y sexos’     exhibition poster, Sala Astragal, Gijon, 2008, Spain
Laura McLean-Ferris, ‘Glasgow International Festival’, ArtReview, issue 23, pp. 140–41, June 2008
Martin Vincent, ‘Glasgow International’, Frieze, page 237, June.July.August 2008, UK
Sharon Mangion, ‘Glasgow International of Contemporary Art’, AN The Artists Information Company, 26 April 2008, UK
Martin Vincent, METRO, Art review, page 27, 21 April 2008, Scotland, UK
Laura Cumming, ’Glasgow makes a show of itself’, The Observer, Review, page 18, 20 April 2008, UK
Jack Mottram, ‘Outsiders give the art festival its edge’, The Herald, page 18, 18 April 2008, UK
Adrian Searle, ‘What a Riot’, The Guardian- g2 ARTS, page 23-25, 15 April 2008, UK
Lois Rowe, IN TRANSIT catalogue essay for Glasgow International, 11–27 April 2008
2007  Sandra Marron, ‘Glittering Shadows”, LIST Scotland Magazine, 4 October 2007, UK
Michael Hugues, ‘Insight Radio’, 101 FM, Glasgow, 28 September 2007, UK
Shelley Penn, ‘Harbour Master’, MONUMENT, issue 80, pages 48-52, 2007 Australia
John Calcutt,  ‘Inside – Out”, catalogue essay for Glittering Shadows, Glasgow
Gerri Williams, ‘Sunday Arts”, ABC Television, 8 July 2007, Australia
Ashley Crawford, ‘Art around the galleries’, p.14 - A2, The Age, 19 May 2007, Melbourne
Penny Webb, ‘Closer at Arc one Gallery’ art review, The Age, 26 May 2007, Melbourne
2006  Lisa Slade, ‘Strange Cargo’, catalogue essay, Newcastle Regional Art Gallery touring exhibition, 2006–08
Paco Barragan, ‘Heaven & Hell’, Contemporary, issue 86, October 2006 pp. 58–59
Domenico Quaranta, ‘Closer’, exhibition catalogue, Citric, Brescia, October 2006
Paco Barragan, ‘The art of tying ends’, exhibition catalogue, Sherman Galleries, Sydney, February – March 2006
Peter Carrol, ‘Artwork raises a stink Minging’, Glaswegian, 15 June 2006, p. 5
2005  Anthony Gardner, ‘There is nothing at the end of the rainbow’, catalogue essay, ARC One Gallery, Melbourne, March 2005
Rick Rutjens, ‘Arafura Craft Exchange: Fibre 2005’, Object, no. 47, p. 44
Allison Gray, ‘Arafura Craft Exchange: Fibre 2005’, catalogue essay, Museum and Art Gallery of the Northern Territory, May 2005, pp. 6–7
Angus Cameron, ‘Arafura Craft Exchange: Fibre 2005’, Australian Art Collector, issue 32, April – June 2005, p. 241
Robert Nelson, ‘Marti ties viewers in knots’, Age, Friday, 20 May 2005
2004  Dominique Angeloro, ‘Negative attitude: Festivus 04’, Metro, Sydney Morning Herald, 26 November – 2 December 2004, p. 26
Victoria Hynes, ‘Tactile textiles’, Australian Art Review, July–October 2004, p. 10
Victoria Hynes, ‘Dani Marti and Holy Holy Holy’, the(sydney)magazine, Sydney Morning Herald, July 2004, p. 94
‘Tactile textiles’, exhibition preview, Variations in a Serious Black Dress, Vogue Living Apartments, June 2004, p. 10
Martyn Hook, ‘House edge: Crown Promenade, Southbank, Melbourne’, Monument, no. 61, June – July 2004, pp. 22–6
Victoria Hynes, Looking for Rover, exhibition catalogue, Sherman Galleries, Sydney, March–April 2004
Desmond Foo, ‘Orifices’, The Straits Times, Singapore, 7 April 2004
Sasha Grishin, ‘Depth in surreal paradise lust’, Canberra Times, Canberra 25 February 2004
Ann Finnegan, Variations in a Serious Black Dress, exhibition catalogue, Canberra Contemporary Art Space, ACT, February – March 2004
2003  Marinka Ferrier, ‘Knots of seduction’, Artwrite, University of New South Wales, Sydney, 2003
Robert Nelson, ‘Floating into space’, Age, Melbourne, 7 May 2003
Roger Taylor, Radio interview, RRR, Melbourne, 23 April 2003
Victoria Hynes, ‘The semiology of weaving’, Art & Australia, vol. 40, no. 3, autumn, 2003, pp. 410–17, front cover image
Bruce James, ‘Mardi Gras 25 years show’, Sydney Morning Herald, 12 February 2003
2002  Laura Murray Cree, Awesome! Australian Art for Contemporary Kids, Craftsman House, Sydney, 2002
Leta Keens, ‘Magic weaver – Dani Marti’, Belle, October–November 2002
David O’Halloran, ‘Go inside and freshen up’ (Helen Lempriere National Sculpture Award), Broadsheet, vol, 31, no. 2, June – August 2002, p. 22
The Helen Lempriere National Sculpture Award, exhibition catalogue, Melbourne, March 2002
2001  Victoria Hynes, ‘One metre x one metre’, Metro, Sydney Morning Herald, 14–20 December 2001
Anne Loxley, ‘Outdoor art’ (Artfull Park), Sydney Morning Herald, 6 December 2001
Sasha Grishin, ‘An ironic medium’, Canberra Times, 14 May 2001
Andrew Frost, ‘Undiscovered artists’, Australian Art Collector, no. 16, April – June 2001, pp. 74–75, front cover image
Helen Lempriere Sculpture Award, Arts Program, ABC Television, Sunday, 8 April 2001
Robert Nelson, ‘Winner shed’s pretension’ (Helen Lempriere National Sculpture Award), Age, Melbourne, 28 March 2001
Maria Bliske, ‘The Helen Lempriere Sculpture Prize’, Artlink, vol. 21, no. 2, 2001
Simon Rees, ‘Looking for felix’, Art + Text, no. 73, 2001, p. 87
Victoria Hynes, ‘Weird science’, Metro, Sydney Morning Herald, 22–28 June 2001
Interview with Bruce James: ‘I am forever blowing bubbles…’, Arts Program, ABC Radio, Monday, 11 June 2001
Ann Finnegan, ‘missing spain’, catalogue essay, Casula Powerhouse Arts Centre, Sydney, August 2001
Jane Barney, ‘Metis – waste’, catalogue essay, Canberra Contemporary Art Space, Canberra, May 2001
The Helen Lempriere National Sculpture Award, exhibition catalogue, Melbourne, March 2001
2000  Verity Newman, ‘Not quite wrong’, City Sydney Hub, vol. 5, no. 49, 2000
Courtney Kidd, Critic’s picks, Metro, Sydney Morning Herald, 22–28 December 2000
Alexie Glass, ‘Chez view’, Metro, Sydney Morning Herald, 17–23 November 2000
Brian Boys, ‘Exhibitions site’, Monument, Architecture/Design Issue, October – November 1999, p. 39
Bruce James, ‘Conservation pieces’, Sydney Morning Herald, 21 October 2000
Victoria Hynes, ‘Lofty ambitions’, Sydney Morning Herald, 11 September 2000
Courtney Kidd, Critic’s picks, Metro, Sydney Morning Herald, 18–24 August 2000
Ann Finnegan, ‘Coco’, catalogue essay, Rubyayre Gallery, Sydney, August 2000
Ann Finnegan, Thin Wall PB-1, exhibition catalogue, Artspace, Sydney, February 2000
1999 Bruce James, ‘Pope Alice overcomes strong penis challenge’, Sydney Morning Herald, 4 March 1999