Artist's CV

EDUCATION
2007 Doctorate of Creative Arts, University of Western Sydney
2005  Shaolin Chan fa
1995  Master of Fine Art, (Honours Class 1), University of NSW
1990  Australian Network for Art and Technology, Summer School
1979  Alexander Makie School of Art, Sydney
1975  National Art School, Sydney
 
SOLO EXHIBITIONS
2012
Fog Garden, BREENSPACE, Sydney

2010

Edge of Empire, BREENSPACE, Sydney

2008             
Borderlands, Casula Powerhouse, Sydney
Images from the Borderland of Empire, Depot II, Dank St, Sydney

2004
Lost Stories, GRANTPIRRIE, Sydney

2003
CONSTRUCT, 24Hr Art, Darwin

2001
Landscape show, Story Hall Gallery, RMIT, Melbourne
Photosynkyria 2001, Macedonian Museum of Contemporary Art, Thessaloniki
Secret Icons, ARTOWER AGORA Gallery, Athens

2000
Tranzluztion, Stills Gallery, Sydney
Tranzluztion Mnemonicon, Tamworth City Gallery, Tamworth

1997
Tangent @23, Michael Wardell Gallery, Melbourne
Mnemonic Detritus, Manning Regional Gallery, Taree
Particles, Artspace, Sydney

1995
il Mondo Mongrel Mnemosinon Mantra, Artspace, Auckland
Mnemosinon, Michel Wardell Gallery, Melbourne
1994
Gallery Rhumbarallas, Melbourne
Mnemonic Notations, Tin Sheds Gallery, The University of Sydney

1993
Co–ordinates, Breewood Gallery, Blue Mountains, NSW

1990
Breewood Gallery, Blue Mountains, NSW
Roar 2 Studios, Melbourne

1988
Big Water, Breewood Gallery, Blue Mountains, NSW
 
1986
Rex Irwin Gallery, Sydney
Breewood Gallery, Blue Mountains, NSW

1982
Solander Gallery, Canberra
Rex Irwin Gallery, Sydney
Michael Milburne Gallery, Brisbane
 
GROUP EXHIBITIONS
2012
Phillip George in collaboration with George Alexander for the exhibition and conference project, Through the Roadblocks, Cyprus, curated by Helene Black

2011
Josephine Ulrick & Win Schubert Photography Award Gold Coast City Gallery, Brisbane

2010
CONECTIONS, National Gallery of Australia, Canberra
Stan + Maureen Duke Art Prize, Gold Coast City Gallery, Brisbane
Blake Prize, National Art School Gallery, Sydney
William and Winifred Bowness Photography prize, Monash Gallery of Art Melbourne
The Basil Sellers Art Prize, The Ian Potter Museum of Art, Melbourne

2009

Blake Prize Finalists Exhibition, National Art School Gallery, Sydney
Basil Sellers Finalists Exhibition, The Ian Potter Museum of Art, Melbourne

2008
Blake Prize Finalists Exhibition, regional tour to Deakin University Art Gallery, Melbourne and Delmar Gallery, Sydney
William and Winifred Bowness Photography Prize, Monash Gallery of Art, Melbourne
 
2007
The Resilient Landscape, Ivan Dougherty Gallery, Sydney, (curator and artist)
Blake Prize Finalists Exhibition, National Art School Gallery, Sydney 
Blake Prize Finalists Exhibition, regional tour, Albury Regional Gallery
Josephine Ulrick & Win Schubert Photography Award 2007, Gold Coast City Gallery, QLD
Institute for Electronic Arts 10 Year Survey Show, BS1 Contemporary Art Centre, Beijing, China
National Photographic Prize, Albury City Gallery, Albury
 
2006
Blake Prize Finalists Exhibition, National Art School Gallery, Sydney
Blake Prize Finalists Exhibition, regional tour, Albury Regional Gallery
VII Computer Art Biennale, Rzeszow, Wanda Siemazkowa Gallery, Rzeszow
Un Australian, National Museum of Australia, Canberra 
SIGGRAPH 2006 Art Gallery Intersections, Boston, USA
Body + Place, COFA Art Space, Sydney
Josephine Ulrick & Win Schubert Photography Award 2006, Gold Coast City Gallery, QLD
Conrad Jupiters Prize, Gold Coast City Gallery, QLD

2005
Disobedience, Ivan Dougherty Gallery, Sydney
Conrad Jupiters Prize, Gold Coast City Gallery, QLD
Blake Prize Finalists Exhibition, Sir Herman Black Gallery, Sydney
Blake Prize Finalists Exhibition, regional tour, Wagga Wagga Art Gallery, Hawkesbury Regional Gallery & New England Regional Gallery
Josephine Ulrick & Win Schubert Photography Award 2005, Gold Coast City Gallery, QLD
Prometheus Visual Arts Awards, QLD
Island Art Prize, Stanley Artwork, Stanley, TAS
 
2004
The Year in Art, S.H. Ervin Galley, Sydney
NIGHT VISION, Australian Centre for Photography, Sydney
Synesthesia, SIGGRAPH, LA Convention Centre, Los Angeles
Photographica Australis, international touring exhibitions, Bangladesh Biennale, Dhaka & Taipei Fine Arts Museum, Taiwan

2003
GRAPHITE 2003, Span Gallery, Melbourne (Also the Art Chair)
Blake Prize Finalists Exhibition, Casula Power House Sydney
Blake Prize Finalists Exhibition, national touring exhibition 
Photographica Australis, international touring exhibitions, National
Gallery of Thailand, Bangkok & Singapore Art Museum, Singapore
Transference, Mary Place Gallery, Sydney
 
2002              
SIGGRAPH, N.SPACE, touring exhibition, New York & Paris 
Sanctuary 2: Time travel, VCA Gallery Melbourne
The Synthetic Image, Monash University Gallery, Melbourne
University of Saint Francis Gallery, Fort Wayne,Texas, USA
Photographica Australis, ARCO, Spain
Media Arts in the World, Agency for Cultural Affairs, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Epikinonia, Westside Gallery, Sydney
Shell Fremantle Print Award, Fremantle Arts Centre, Perth
 
2001              
SIGGRAPH, N.SPACE Gallery, LA Convention Centre Los Angeles
Yukino Yamada, Media Arts Festival, Tokyo
Photosynkyria 2001, Museum of Contemporary Art, Thessaloniki
Photosynkyria 2001, Rethymnon Contemporary Arts Centre, Crete
Art & Technology, The New Media Centre, Lima, Peru
Pinhole to Pixel, Sir Herman Black Gallery, Sydney 
 Mnemonic Notations, CUBE 37 Multi Media Arts Centre, Melbourne 
Seeing through Landscape, Australian Centre for Photography, Sydney
 
2000
2000 Olympic Festival, Athens, Greece
Tranzlution, Casula Power House, Sydney
15 Photographes Australiens, Ville de Montpellier
The Australian Photography Exhibition, Shenzhen
Diaspora, Kudos Gallery Sydney
Hermanns Art Award, Mornington Peninsula
McGregor Prize for Photography, University of Southern Queensland
 
1999
Australian Portfolio, Vardy Gallery, Sunderland, UK
Hermanns Art Award, Span Gallery, Melbourne
Diaspora Hellenic Tourism Organisation, Sydney
GAMUT, Colville Place Gallery, London
25th Anniversary Exhibition, Ivan Dougherty Gallery, Sydney
Canberra Multicultural Arts Festival, Spiral Arm Gallery
The Arts Institute of Houston, Texas
Fremantle Print Award, Fremantle Arts Centre, WA
Touchware, SIGGRAPH 98, Florida, USA
The Living Arts Centre, Living Arts Mississauga, Ontario, Canada
Diaspora, Cotter Gallery, Sydney
Sausalito Art Festival, Los Angeles, USA
Living space - visions between future and memory, Kunst Halle, Germany

1998
Renard Wardell Gallery, Sixth Australian Contemporary Art Fair, Melbourne
SIGGRAPH 98, Orlando, Florida, USA
5th Biennale of Graphics, Kalingra, Kengsberg  
Cade II, The Picture Gallery, Siberia
Associaeione Achitetti Artisti, Venice, Italy
 
1997
8th International Biennial Print & Drawing Exhibit, Taipei Fine Arts Museum
Ongoings, retrospective SIGGRAPH Los Angeles Convention
Centre, Los Angeles, USA & Medien-Fraunhofer Institute for Computer Graphics
Fremantle Print Award, Fremantle Arts Centre, WA
Australian Printmedia Awards, Casula Powerhouse, Sydney
Mosaico, Elizabeth Gallery Newtown, Sydney 
CadeII, contemporary printmaking touring exhibition, Derby, Kensington & Chelsea College London, City Museum & Gallery Stoke, UK
Cybercultures, Casuala Powerhouse, Sydney
ACM Travelling Art Show, San Jose, Marist Art Gallery; Poughkeepsie, New York
Imprinta 97, Dusseldorf
Release, Michael Wardell, Melbourne

1996  
5th Australian Contemporary Art Fair, Michael Wardell Gallery, Melbourne
The Bridge, SIGGRAPH 96, Contemporary Art Centre New Orleans, New Orleans, USA & New York Digital Salon; Visual Arts Museum, New York
Printmedia, Casula Powerhouse Arts Centre, Sydney
Burning the Interface, Museum of Contemporary Art, Sydney
Michael Wardell Gallery, Melbourne
Sulman Prize, Art Gallery of NSW, Sydney
 
1995  
It's about time, Ivan Dougherty Gallery, Sydney
ISEA, Montreal, Canada
The Digitalists, MMC Gallery, New York, USA
Art Show, SIGGRAPH 95 Los Angeles, USA
Digit One Gallery, Sydney
Topos, Artspace, Sydney
Marie Jo Voigt Fine Art, Leura

1994
Construction in Process, First Draft, Sydney
Experimenta 94, Lindon Gallery, St Kilda, Melbourne
Honouring Animals and Nature, Breewood Galleries, Blue Mountains
19th Annual Fremantle Print Award, Fremantle Arts Centre, 
Gold Coast City Conrad Jupiters Art Prize, Gold Coast Arts Centre, 
BitMap 101, Next Wave Festival, Gallery 101, Melbourne
Gallery Salon Des Refuses, S. H. Ervin Gallery, Sydney
IDN Award Exhibition, Gallery 101, Sydney
National Gallery London, Installation EVA conference, UK
ISEA 5th International Festival on Electronic Art Helsinki, Finland
Bit Move 94, Riccione, Italy

1993  
Current State, Tin Sheds Gallery, University of Sydney, Sydney
216,000 Breaths Every 24 Hours, Australian National University, Canberra
Its All in the Memory, Art Images Gallery, Adelaide
 Breewood Gallery, Blue Mountains, N.S.W.
 Casino Container Project, Venice Biennale, Venice, Italy
 Imagina, Monte Carlo
  
1992
Frank Bustamante Gallery, New York, USA
International Painting Interactive, Chicago, USA
SIGGRAPH, McCormick Place, Chicago, USA
Breewood Anniversary Show, Blue Mountains, NSW
Gold Coast City Art Prize, Gold Coast, QLD
Myriad of Vision, Greek Festival of Sydney, Sydney

1991  
Gallery Salon Des Refuses, S. H. Ervin Gallery, Sydney
Wynne Prize, Art Gallery of NSW, Sydney
Coded, Linden Gallery, Melbourne
Wynne Prize, Victorian Arts Centre, Melbourne

1990  
SISEA, Second International Symposium on Electronic Art, 
The Netherlands
Ausgraph, World Trade Congress Centre, Melbourne
Towards a New Asthetic, Linden Gallery, Melbourne
Scanning the Code, Australian International Video Festival, Ivan Dougherty Gallery, Sydney

1989  
Aris Electronica, Project Gaiah, Austria
Fax Amondo, Art Space, Sydney
National Photographic Exhibition " Albury Regional Art Gallery, Albury
Erotica Show, Breewood Gallery, Blue Mountains, NSW
 
1988  
10x8 Show, DC Art, Sydney
Breewood Gallery, Blue Mountains, NSW

1987  
Editions Gallery, Melbourne

1986  
Regional Travelling Show, Blue Mountains, Lithgow, Richmond
Rex Irwin 10th anniversary exhibition, Rex Irwin, Sydney
 
1985  
Images of Immigrants, Australian Centre for Photography, Sydney
Ozi Icons, Greek Festival of Sydney, Sydney
 
1984  
Soft Attack, Artspace, Sydney
Lady Fairfax Photographic Show, Art Gallery of New South Wales, Sydney
Greek Festival of Sydney, Sydney


1983  
Lady Fairfax Photographic Show, Art Gallery of New South Wales, Sydney
National Greek Tourist Office, Sydney


1978  
Archibald Prize, Art Gallery of New South Wales, Sydney (James Dibble)


1977  
Rex Irwin Gallery, Sydney
 
1976

Hogarth Gallery, Sydney
 
GRANTS & AWARDS
2010  New Work Grant Australia Council
     
2002  New Work Development Grant, Australia Council
2001  Rockerfeller artist residency, Alfred, New York, USA
1997  New Media Development Grant, Australia Council
1995  Production Grant, Australian Film Commission
         Travel Grant, Australian Film Commission
1994  Computer Graphics Winner, Bit Movie 94, Riccione, Italy
         Digital Photography Award, Still Photograph?, RMIT Conference / Symposium and Exhibition, Melbourne
1992  Truevision Award, SIGGRAPH 92, USA
1990  Professional Development Grant, Visual Arts/Crafts Board, Australia Council
 
PUBLICATIONS
2012
‘Fog Garden’, Art Almanac, July 2012

2010
David McNeill, ‘Edge of Empire: Review’, Canvas Guide, Dubai, 27 August  2010 (http://www.canvasguide.net/en/articles/edge-of-empire.html# accessed 19 March 2011)
David McNeill, ‘Art without Authors: Networks, Assemblages and “Flat” Ontology’, Third Text, no. 150, July 2010

2009
John Walsh, ‘Stan + Maureen Duke Art Prize’, exhibition catalogue, 2009, p8

Rosemary Crumlin, ‘The Spirit Within Australian Contemporary Art’, Parliament of World Religion in Australia, exhibition catalogue, 2009, p8

Tim Gregory, ‘The Art of Joyous Anger’, Broadsheet, Contemporary Art Centre of South Australia, Adelaide, 2009, pp66–68
Jeremy Eccles, ‘Islam in Oz’, Art Monthly Australia, no. 219, May 2009, pp15–17

Fran Strachan, ‘Making Waves – Islamic and Surf cultures merge’, Uniken magazine UNSW, Sydney, 2009, front cover and pp6–7
Nikos Papastergadis, ‘Seeing the World – Phillip George’s Borderlands’, Art & Australia, Vol. 46, No. 4, Winter 2009, pp566–569

Surfersvillage, The Surfing Year Book – Complete Year in Surfing from Around the World, Salt Lake City: Gibbs Smith, 2009, pp53–54

Art of Making Marks, Art Publisher Systems Design Limited, pp102–105

Angus Thompson, ‘Surfie rides spiritual wave to art prize finals’, The Australian, 25 September 2009 (http://www.theaustralian.com.au/news/surfie-on-spiritual-wave-to-art-prize/story-e6frg6o6-1225779322420 accessed 19 March 2011)

Rachael Kohn, ‘Sufi Surfboards’, The Spirit of Things, ABCTV, 2009

‘Inshallah Surfboards’, Art Dubai Journal, 14 March 2009 (http://www.artdubai.ae/journal/2009/march/Inshallah_Surfboards.html accessed 19 March 2011)

Phil Mercer, ‘Unique surfboards show how art can influence cultural change’, The National, UAE, 27 May 2009 (http://www.thenational.ae/article/20090528/FOREIGN/705279847 accessed 19 March 2011)
Harry Sanna, ‘The crescent of a wave’, The National, UAE, 28 February 2009 (http://www.thenational.ae/apps/pbcs.dll/article?AID=/20090228/NATIONAL/512507807&SearchID=73384554743577 accessed 19 March 2011)

Fatmas Salem, ‘Pictures of a global imagination’, www.gulfnews.com http://archive.gulfnews.com/articles/09/04/02/10300592.html, 4 February

2009

Louise Schwartzkoff, ‘Blake Prize art - anti religious, says Pell’ by Louise Schwartzkoff, The Sydney Moring Herald, 23 August 2009

Raymond Gill, ‘Artist join in festival of the boot’, The Sydney Moring Herald, 25 September 2009

2008
‘Chasing the Blake’, Compass, ABCTV1, 1 June 2008
 
2007 
‘Continuum – Journal of Media & Cultural Studies’, Border Patrol, vol. 21, no. 4, 2007, pp469–470
‘Josephine Ulrick & Win Schubert Photography Award 2007’ Gold Coast City Gallery, 2007
‘Institute for Electronic Arts 10 year Survey Show’, BS1, Contemporary Art Centre Beijing, 2007
‘National Photographic Prize’, Albury City Gallery, Albury, 2007
 
2006
‘Intersections’, SIGGRAPH 2006, ACM Siggrap, Boston, 2006, p51
Un Australian, National Museum of Australia, Canberra, 2006
‘VII Computer Art Biennale’, Rzeszow, 2006
‘Josephine Ulrick & Win Schubert Photography Award’, Gold Coast City Gallery, QLD, 2006
‘Conrad Jupiters Prize’, Gold Coast City Gallery, QLD, 2006
 
2005
Adam Geczy, ‘Phillip George Night Vision and The Post-Oriental’, Art
Asia Pacific, no. 47, 2005, pp32–33 
David McNeill, ‘Disobedience’, catalogue essay, 2005
John McDonald, ‘Review’, The Sydney Morning Herald, September 2005
Josephine Ulrick & Win Schubert Photography Award’, Gold Coast City Gallery, QLD, 2005
‘Conrad Jupiters Prize’, Gold Coast City Gallery, QLD, 2005
‘Prometheus Visual Art Award’, QLD, 2005
‘Island Art Prize’, Stanley Artwork, Stanley, 2005 
 
2004 
Phillip George (co-editor) ‘Art and New Media’, in English and Mandarin, Taiwan Ministry for Education, Taiwan, 2004
Lee Tran Lan, ‘Art photography’, State of the Arts magazine, Arts diary Pty Ltd, Australia, 2004
Andy Polaine, ‘Painting by numbers’, Desktop magazine, Niche publishing, Australia, 2004
Sue Gollifer, Siggraph 2004, Art and Animation Catalogue, ACM Siggraph USA, 2004
Glenis Israel, Artwise (visual arts textbook), Jacaranda Press, Australia, 2004
 
2003
Construct, exhibition catalogue, 2003
Photographica Australis, exhibition catalogue, 2003
Leonardo Art & Science Magazine, vol. 36, front and back cover, 2003
Leonardo Art & Science Magazine, vol. 35, 2003, pp121–127, p172

2002
Photographica Australis, exhibition catalogue, 2002
The Synthetic Image, exhibition catalogue, 2002 
‘Shell Fremantle Print Award’, exhibition catalogue, 2002


2001
John Stathatos , A Vindication of Tion, Photography and the Fantastic, University Studio Press, Thesaloniki, 2001, p. XXXV, pp32–35
John Stathatos , Photosynkyria 2001, University Studio Press, Thesaloniki, 2001, p19
Seeing through Landscape, exhibition catalogue, 2001
 
2000
‘Hermanns Art Award’, exhibition catalogue, 2000
15 Photographes Australiens, Ville de Montpellier, exhibition catalogue, 2000
The Australian Photography Exhibition, Shenzhen Photographic Society, exhibition catalogue, 2000
 
1999
Dr Nikos Papastergiadis, ‘The Secret Little Bay’, Photofile, 1999, pp52–57
Mnemonicon 6.0, CD ROM, Sydney, 1999
Sue Gullifer, GAMUT, exhibition catalogue, 1999
Hunter Cordaiy, RealTime magazine, August 1999
SIGGRAPH 98/99, calendar, 1999
Nick Waterlow, Silver 25th Anniversary, Ivan Dougherty, exhibition catalogue, 1999
Fire, Random House, Sydney, cover image, 1999
 
1998
Phillip George, ‘Real 3D camera scanner’, Australian Digital Camera, 1998
Phillip George, ‘Photographic Illustration’, Australian Digital Camera, 1998
Phillip George, ‘Digital Tools’, Australian Digital Camera, 1998
Phillip George, ‘Digital Colour’, Australian Digital Camera, 1998
Neural No 11, Marcello Baraghini Roma, 1998, p47
SIGGRAPH 98, exhibition catalogue & CD ROM, 1998, p24 


1997
‘Interactions’, New Visions of Human – Computer Interactions, May/June, ACM, New York, 1997, p5
David McNeill, Tangent @ 23, exhibition catalogue, 1997
Visual Proceedings SIGGRAPH, exhibition catalogue & CD ROM, 1997, pp24–25
Phillip George, ‘The Picture, the Painter’, Australian Digital Camera, 1997, pp57–58
Phillip George, ‘Imaging Reality’, Australian Digital Camera, 1997, pp42–43
Glenis Israel, Artwise: Visual Arts 7-10, Jacaranda Press, 1997, pp178–181
David McNeill, ‘Some notes on colour in response to Particles and pink planks’, exhibition essay, 1997
‘Creation Numerique’, SIGGRAPH, 1997, p34
Phillip George, ‘Digital 3D’, Australian Digital Camera, 1997, pp20–21
Phillip George, ‘Chameleon’, Australian Digital Camera, Sydney, 1997

1996
‘Fourth Annual New York Digital Salon’, Leonard Journal, Vol. 29 No. 5 1996, New York: MIT Press, p. 408 & p. 435
John Potts, ‘Utopia: coming or not?’, Photofile, August, p.16 & p.19
Darren Tofts, Making Strange, pp. 32–34
‘A survey of electronic art from Australia’, Artlink, Winter 1996, CD ROM
Lyn Tune, ‘Landmark Exhibition’, Artlink, p. 38
Murray Spencer, ‘CD-ROM review’, The Australian, July 23
Guest speaker at Digital Aesthetics One, delivered paper ‘Imaging & reality’
Philip Dutchak, ‘Computer Start /Fine Art’, Cinema Papers, February, pp. 18–21
Anne Mancini, Australian Perspective on Australian Art, Longman Australia
Adam Lucas, ‘Mapping the Memory’, World Art, March
‘Burning the interface’, review, ABCTV, April 15
Professor Joana Mendelssohn, ‘Burning the interface, Phantasmagoria’, The Australian Macworld, April, p. 25
Design Graphics, April, p. 4
Tony Brancoyt, ‘Profile’, The Today Show, Channel 9 TV, 25 March
Jacky Cooper, ‘Profile’, The Australian, 19 March 
John Conomos, ‘Critically Interactive’, RealTime, February

1995
It’s about time, Artspace, Auckland, exhibition catalogue
The Age, Melbourne, Friday 25 August
Black and White magazine, No. 14, pp. 28–30
Guest speaker at Arlis/Anz Arts Libraries Society, Australia and New Zealand
Conference with ‘Imaging harsh realities $$$, Art Gallery of New South Wales
Information Age magazine  
Pam McGarvin, ‘Interview’, Storm magazine, p. 31
Mike Leggett, ‘Interview’, Storm magazine, pp. 32–33
Anthony Griffith, ‘Interview’, Beyond 2000, Channel 10, May
Desktop People, Digit One, exhibition catalogue
George Alexander, Topos, exhibition catalogue
 
1994
Alan and Susan McCulloch, The Encyclopedia of Australian Art, Allen & Unwin pp. 288–289
Experimenta 94, exhibition catalogue, p. 4
Trance Mission – Meanwhile, CD cover art, produced by Simon Tassano, City of Tribes Records, San Francisco
Imprint, Spring, Vol. 29 , No. 3 
Phillip George & Di Wate, Process Maps from the Memory, Print Council of Australia, Melbourne, p. 27
Wu Diing & Wu Vale, ‘The Art of Computer Graphics & Its Applications’, Chinese text, Taiwan
Ralph Wayment, ‘EVA '94’, The National Gallery London EVA Conference 
Philip Dutchak "The remembrance of things mnemonic, IDM, Vol. 1, No. 4, Hong Kong, pp. 38–41
‘Artist profile’, Art Almanac July/August, Sydney, p. 59
Phillippa Yelland, ‘Mystical Art By George’, The Australian, 19 July
Robin Nichols, ‘Still Photography’, Commercial Photography Magazine
Bit Move 94 Festival International di Computer Art, Italy, pp. 44–45, exhibition catalogue 
George Alexander & Charles Green, Mnemonic Notations, exhibition catalogue
IDM Awards, Hong Kong, p. 66
Bill Seaman, ‘The emergence of new electronic forms in Australian art’, Electronic Art in Australia, Vol. 8, No.1 pp. 356–358
Big Bite, SBS TV, Thursday 21 April
19th Annual Fremantle Print Award, exhibition catalogue
Nell Schofield, ‘Review’, ABC TV, Monday 18 April
Sarah Thomas, ‘Review’, Imprint
Graham O'Sullivan, Seeing Australia, Art History Text, front cover, poster book image & artist profile
Ruby Gower, ‘Giving Fine Art a Future’, Commercial Photography Magazine, January/ February
 
1993
Adam Lucas, ‘Development through images: An introductory remark’
Leonardo Art & Science Magazine, Vol. 26, No. 4
Clifford Pickover, ‘Pattern Book Fractals’, Art & Nature, World Scientific Publishing Co, USA
Felicity Fenner, ‘Review’, The Sydney Morning Herald, 10 December
Therese Kenyon, Current State - Future Directions, exhibition catalogue
Camden Maine Digital Imaging Workshops, Autumn Catalogue, Boston, USA, front cover image
Axle Wirths, Casino Container, Venice Biennale, exhibition catalogue
International Interactive Media Festival, Cologne, exhibition catalogue
Lindsay Simpson, ‘The Lying Eye’, The Good Weekend, 31 July
Phillip George, Desktop Magazine, May
Charles Green, ‘The Deterrioralised Print’, Art Monthly, April
L Roberts Goodwin & Phillip George, ‘Art is Still Art’, Leonardo Art and Science Journal, Vol. 26, No. 1, pp. 73–75
SIGGRAPH post cards: 34,000 printed, worldwide mail out
 
1992
Elizabeth Wynhouser, ‘Review’, Sunday Herald, November 1
Australian Video Festival, exhibition catalogue
Phillip George, ‘One is Many’, delivered at Pan Pacific University Conference, Kyoto, Japan
George Alexander, ‘Inherent Identity’, exhibition catalogue
Bryce Hakkett, ‘Computers high technology’, The Australian
‘Phil freezes change in time at Siggraph’
Gold Coast City Art Prize, exhibition catalogue
The Great Australian Science Show, exhibition catalogue
Siggraph Art & Design Show, exhibition catalogue
‘SIGGRAPH News’, Computer Graphics World

1991
Gary Pfitzer, Computer Graphics World, July, USA
International Photographic Salon of Japan, exhibition catalogue
‘Images from the Esperanto Suite’, Art link, Autumn/ Winter
George Michelakais, Chronico magazine, November
Vox Populi, SBS TV, March 24
Vox Populi, SBS TV, October 20 

1990
On the Street magazine, 13 October
Dian Mah, ‘Review’, Sydney Review, Spring
Towards a New Aesthetic, exhibition catalogue
Coded Ausgraph, exhibition catalogue
Max Germaine, Artist of Australia 1980/89 
University of New South Wales Annual Report, UNSW, front cover

1986
Elwyn Lynn, ‘Review’, The Sydney Morning Herald
‘Images of Immigrants’, Photofile, Sydney
 
1985
Sydney Morning Herald review by Peter White 
10th Anniversary, Rex Irwin Art Gallery, Sydney, exhibition catalogue
 
1984
Susanna Short, ‘Review’, The Sydney Morning Herald
Billabong Press, Brisbane
 
200
Marion von Adlerstine, ‘Rex Irwin’, Australian Vogue Living, August
 
1978
Elwyn Lynn, ‘Review’, The Australian
‘Archibald & Wynne Prize’, AGNSW, Sydney, exhibition catalogue
 
1977
Arthur Macintyre, ‘Review’, The Australian
 
COLLECTIONS
National Gallery Australia
Australian Centre for the Moving Image, Federation Square, Melbourne 
University of Ghent Collection, Belgium
Tamworth City Library
Australian National Library
Art Bank Commonwealth Collection
National Art School, Canberra
University of New South Wales, Sydney
Citri Melbourne
RMIT University, Melbourne
University of Technology, Sydney
Private Collections - Sydney, Brisbane, Canberra, Melbourne, Darwin, Paris,
Montpellier, Los Angeles, New York, Bolder Colorado, Thessaloniki, Athens