Tim Silver | Rory
27 August – 26 September 2009
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Tim Silver, Untitled (Rory), installation view, 2010, watercolour pigment, initial dimensions 105 x 40 x 34 cm irregular
Tim Silver, Untitled (Rory 1), 2010, pigment print on etching rag 310gsm, paper size 155.5 x 110 cm, image size 135.5 x 90 cm, photography: Jamie North
Tim Silver, Untitled (Rory 2), 2010, pigment print on etching rag 310gsm, paper size 155.5 x 110 cm, image size 135.5 x 90 cm, photography: Jamie North
Tim Silver, Untitled (Rory 3), 2010, pigment print on etching rag 310gsm, paper size 155.5 x 110 cm, image size 135.5 x 90 cm, photography: Jamie North
Tim Silver, Untitled (Rory 4), 2010, pigment print on etching rag 310gsm, paper size 155.5 x 110 cm, image size 135.5 x 90 cm, photography: Jamie North
Tim Silver, Untitled (Rory 5), 2010, pigment print on etching rag 310gsm, paper size 155.5 x 110 cm, image size 135.5 x 90 cm, photography: Jamie North
Tim Silver, Untitled (Rory 6), 2010, pigment print on etching rag 310gsm, paper size 110 x 155.5 cm, image size 90 x 135.5 cm, photography: Jamie North
Tim Silver, Untitled (Rory) s1, 2010, pigment print on etching rag 310gsm, image size 38 x 38 cm, paper size 55.5 x 55.5 cm, photography: Jamie North
Tim Silver, Untitled (Rory) s3, 2010, pigment print on etching rag 310gsm, image size 38 x 38 cm, paper size 55.5 x 55.5 cm, photography: Jamie North
Tim Silver, Untitled (Rory) s2, 2010, pigment print on etching rag 310gsm, image size 38 x 38 cm, paper size 55.5 x 55.5 cm, photography: Jamie North
Tim Silver, Untitled (Rory) s4, 2010, pigment print on etching rag 310gsm, image size 38 x 38 cm, paper size 55.5 x 55.5 cm, photography: Jamie North
Tim Silver, Untitled (Rory) s5, 2010, pigment print on etching rag 310gsm, image size 38 x 38 cm, paper size 55.5 x 55.5 cm, photography: Jamie North
In one of his most ambitious works to date, Tim Silver presented an ongoing sculptural performance work named Rory, taking the form of a small boy cast from watercolour pigment. A water drip slowly released onto the sculpture triggering the process of transformation and erosion in real time over the course of the exhibition.
Alongside Rory, Silver presented Coming around again, a series of performative photographic installations, created along the Straits of Malacca, that continued to explore themes of erosion, and the passage of time for which his practice is renowned. Silver's use of objects from popular culture, cast in historic trade materials, engage viewers in a realised process of entropy and sweet decay.
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